and “A Supposedly Fun Thing I'll Never Do Again" in Harper's in , , and under the respective titles “Tennis, Trigonometry, Tornadoes,” “Ticket to. cruise ship in knots (though I never did get clear on just . been an unhappy adolescent love thing, a ship- the ship's structured fun and reassurances and (great white again; this 4 I'll admit that on the very first night of the TNC 1. A Supposedly Fun Thing I'll Never Do Again. Home · A Supposedly Fun Thing I'll Never Do Again Author: Wallace David Foster. 48 downloads Views.
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A supposedly fun thing he'll never do again. Sep. 10, GLENN C. ALTSCHULER and KEVIN MORRIS, THE JERUSALEM POST. On September 12, greentinphalihang.tkI'greentinphalihang.tk - Download as PDF File .pdf), Text File .txt) or view presentation slides online. or a little dancing in the disco? Maybe a. choices about what is good and important and fun, and then I have My Honeymoon, or A Supposedly Fun Thing I'll.
At twelve, I began getting entry to tournaments beyond Philo and Champaign and Danville. I was driven by my parents or by the folks of Gil Antitoi, son of a Canadian-history professor from Urbana, to events like the Central Illinois Open in Decatur, a town built and owned by the A.
8 David Foster Wallace Essays You Can Read Online Right Now
Staley processing concern and so awash in the stink of roasting corn that kids would play with bandannas tied over their mouths and noses; like the Western Closed Qualifier on the ISU campus in Normal; like the McDonald's Junior Open in the serious corn town of Galesburg, way out west by the River; like the Prairie State Open in Pekin, insurance hub and home of Caterpillar Tractor; like the Midwest Junior Clay Courts at a chichi private club in Peoria's pale version of Scarsdale.
Over the next four summers I got to see way more of the state than is normal or healthy, albeit most of this seeing was a blur of travel and crops, looking between nod-outs at sunrises abrupt and terribly candent over the crease between fields and sky plus you could see any town you were aimed at the very moment it came around the earth's curve, and the only part of Proust that really moved me in college was the early description of the kid's geometric relation to the distant church spire at Combray , riding in station wagons' backseats through Saturday dawns and Sunday sunsets.
I got steadily better; Antitoi, unfairly assisted by an early puberty, got radically better. By the time we were fourteen, Gil Antitoi and I were the Central Illinois cream of our age bracket, usually seeded one and two at area tournaments, able to beat all but a couple of even the kids from the Chicago suburbs who, together with a contingent from Grosse Pointe MI, usually dominated the Western regional rankings.
That summer the best fourteen-year-old in the nation was a Chicago kid, Bruce Brescia whose penchant for floppy white tennis hats, low socks with bunnytails at the heel, and lurid pastel sweater vests testified to proclivities that wouldn't dawn on me for several more years , but Brescia and his henchman, Mark Mees of Zanesville OH, never bothered to play anything but the Midwestern Clays and some indoor events in Cook County, being too busy jetting off to like the Pacific Hardcourts in Ventura and Junior Wimbledon and all that.
I played Brescia just once, in the quarters of an indoor thing at the Rosemont Horizon in , and the results were not pretty.
Antitoi actually got a set off Mees in the national Qualifiers one year. Neither Brescia nor Mees ever turned pro; I don't know what happened to either of them after eighteen. Antitoi and I ranged over the exact same competitive territory; he was my friend and foe and bane. Though I'd started playing two years before he, he was bigger, quicker, and basically better than I by about age thirteen, and I was soon losing to him in the finals of just about every tournament I played.
So different were our appearances and approaches and general gestalts that we had something of an epic rivalry from '74 through ' I had gotten so prescient at using stats, surface, sun, gusts, and a kind of Stoic cheer that I was regarded as a kind of physical savant, a medicine boy of wind and heat, and could play just forever, sending back moonballs baroque with spin.
Antitoi, uncomplicated from the get-go, hit the everliving shit out of every round object that came within his ambit, aiming always for one of two backcourt corners. He was a Slugger; I was a Slug. When he was "on," i. When he wasn't at his best and the countless hours I and David Saboe from Bloomington and Kirk Riehagen and Steve Cassil of Danville spent in meditation and seminar on just what variables of diet, sleep, romance, car ride, and even sock-color factored into the equation of Antitoi's mood and level day to day , he and I had great matches, real marathon wind-suckers.
Of eleven finals we played in , I won two. Midwest junior tennis was also my initiation into true adult sadness. I had developed a sort of hubris about my Taoistic ability to control via noncontrol. I'd established a private religion of wind. I even liked to bike. Awfully few people in Philo bike, for obvious wind reasons, but I'd found a way to sort of tack back and forth against a stiff current, holding some wide book out at my side at about 1degrees my angle of thrust--Bayne and Pugh's The Art of the Engineer and Cheiro's Language of the Hand proved to be the best airfoils--so that through imagination and verve and stoic cheer I could not just neutralize but use an in-your-face gale for biking.
Similarly, by thirteen I'd found a way not just to accommodate but to employ the heavy summer winds in matches. No longer just mooning the ball down the center to allow plenty of margin for error and swerve, I was now able to use the currents kind of the way a pitcher uses spit.
I could hit curves way out into cross-breezes that'd drop the ball just fair; I had a special wind-serve that had so much spin the ball turned oval in the air and curved left to right like a smart slider and then reversed its arc on the bounce.
A Supposedly Fun Thing I'll Never Do Again
I'd developed the same sort of autonomic feel for what the wind would do to the ball that a standard-trans driver has for how to shift. As a junior tennis player, I was for a time a citizen of the concrete physical world in a way the other boys weren't, I felt.
And I felt betrayed at around fourteen when so many of these single-minded flailing boys became abruptly mannish and tall, with sudden sprays of hair on their thighs and wisps on their lips and ropy arteries on their forearms.
My fifteenth summer, kids I'd been beating easily the year before all of a sudden seemed overpowering. I lost in two semifinals, at Pekin and Springfield in '77, of events I'd beaten Antitoi in the finals of in ' My dad just about brought me to my knees after the Springfield loss to some kid from the Quad Cities when he said, trying to console me, that it had looked like a boy playing a man out there.
And the other boys sensed something up with me, too, smelled some breakdown in the odd detente I'd had with the elements: my ability to accommodate and fashion the exterior was being undercut by the malfunction of some internal alarm clock I didn't understand. I mention this mostly because so much of my Midwest's communal psychic energy was informed by growth and fertility. The agronomic angle was obvious, what with my whole township dependent for tax base on seed, dispersion, height, and yield.
Something about the adults' obsessive weighing and measuring and projecting, this special calculus of thrust and growth, leaked inside us children's capped and bandanna'd little heads out on the fields, diamonds, and courts of our special interests.
By I was the only one of my group of jock friends with virginity intact. I know this for a fact, and only because these guys are now schoolteachers and commoditists and insurers with families and standings to protect will I not share with you just how I know it. I felt, as I became a later and later bloomer, alienated not just from my own recalcitrant glabrous little body, but in a way from the whole elemental exterior I'd come to see as my coconspirator.
I knew, somehow, that the call to height and hair came from outside, from whatever apart from Monsanto and Dow made the corn grow, the hogs rut, the wind soften every spring and hang with the scent of manure from the plain of beanfields north between us and Champaign. My vocation ebbed. I felt uncalled. I began to experience the same resentment toward whatever children abstract as nature that I knew Steve Cassil felt when a soundly considered approach shot down the forehand line was blown out by a gust, that I knew Gil Antitoi suffered when his pretty kick-serve he was the only top-flight kid from the slow weedy township courts to play serve-and-volley from the start, which is why he had such success on the slick cement of the West Coast when he went on to play for Cal-Fullerton was compromised by the sun: he was so tall, and so stubborn about adjusting his high textbook service toss for solar conditions, that serving from the court's north end in early afternoon matches always filled his eyes with violet blobs, and he'd lumber around for the rest of the point, flailing and pissed.
This was back when sunglasses were unheard of, on-court. But so the point is I began to feel what they'd felt. I began, very quietly, to resent my physical place in the great schema, and this resentment and bitterness, a kind of slow root-rot, is a big reason why I never qualified for the sectional championships again after , and why I ended up in barely making the team at a college smaller than Urbana High while kids I had beaten and then envied played scholarship tennis for Purdue, Fullerton, Michigan, Pepperdine, and even--in the case of Pete Bouton, who grew half a foot and forty IQ points in for the hallowed U of I at Urbana-Champaign.
Alienation-from-Midwest-as-fertility-grid might be a little on the overmetaphysical side, not to mention self-pitying. This was the time, after all, when I discovered definite integrals and antiderivatives and found my identity shifting from jock to math-wienie anyway. But it's also true that my whole Midwest tennis career matured and then degenerated under the aegis of the Peter Principle.
In and around my township--where the courts were rural and budgets low and conditions so extreme that the mosquitoes sounded like trumpets and the bees like tubas and the wind like a five-alarm fire, that we had to change shirts between games and use our water jugs to wash blown field-chaff off our arms and necks and carry salt tablets in Pez containers--I was truly near-great: I could Play the Whole Court; I was In My Element.
But all the more important tournaments, the events into which my rural excellence was an easement, were played in a different real world: the courts' surface was redone every spring at the Arlington Tennis Center, where the National Junior Qualifier for our region was held; the green of these courts' fair territory was so vivid as to distract, its surface so new and rough it wrecked your feet right through your shoes, and so bare of flaw, tilt, crack, or seam that it was totally disorienting.
Playing on a perfect court was for me like treading water out of sight of land: I never knew where I was out there. The Chicago Junior Invitational was held at Lincolnshire's Bath and Tennis Club, whose huge warren of thirty-six courts was enclosed by all these troubling green plastic tarps attached to all the fences, with little archer-slits in them at eye level to afford some parody of spectation.
They did cut down on the worst of the unfair gusts, but they also seemed to rob the court space of new air: competing at Lincolnshire was like playing in the bottom of a well. And blue bug-zapper lights festooned the lightposts when really major Midwest tournaments played into the night: no clouds of midges around the head or jagged shadows of moths to distinguish from balls' flights, but a real unpleasant zotting and frying sound of bugs being decommissioned just overhead; I won't pause to mention the smell.
The point is I just wasn't the same, somehow, without deformities to play around. I'm thinking now that the wind and bugs and chuckholes formed for me a kind of inner boundary, my own personal set of lines. Once I hit a certain level of tournament facilities, I was disabled because I was unable to accommodate the absence of disabilities to accommodate. If that makes sense. Puberty-angst and material alienation notwithstanding, my Midwest tennis career plateaued the moment I saw my first windscreen.
Still strangely eager to speak of weather, let me say that my township, in fact all of East-Central Illinois, is a proud part of what meteorologists call Tornado Alley.
Incidence of tornadoes all out of statistical proportion. I personally have seen two on the ground and five aloft, trying to assemble. Aloft tornadoes are gray-white, more like convulsions in the thunderclouds themselves than separate or protruding from them. Ground tornadoes are black only because of the tons of soil they suck in and spin around. The grotesque frequency of tornadoes around my township is, I'm told, a function of the same variables that cause our civilian winds: we are a coordinate where fronts and air masses converge.
Most days from late March to June there are Tornado Watches somewhere in our TV stations' viewing area the stations put a little graphic at the screen's upper right, like a pair of binoculars for a Watch and the Tarot deck's Tower card for a Warning, or something.
Watches mean conditions are right and so on and so forth, which, big deal. It's only the rarer Tornado Warnings, which require a confirmed sighting by somebody with reliable sobriety, that make the Civil Defense sirens go.
The siren on top of the Philo Middle School was a different pitch and cycle from the one off in the south part of Urbana, and the two used to weave in and out of each other in a godawful threnody. When the sirens blew, the native families went to their canning cellars or fallout shelters no kidding ; the academic families in their bright prefab houses with new lawns and foundations of flat slab went with whatever good-luck tokens they could lay hands on to the very most central point on the ground floor after opening every single window to thwart implosion from precipitous pressure drops.
For my family, the very most central point was a hallway between my dad's study and a linen closet, with a reproduction of a Flemish annunciation scene on one wall and a bronze Aztec sunburst hanging with guillotinic mass on the other; I always tried to maneuver my sister under the sunburst. If there was an actual Warning when you were outside and away from home--say at a tennis tournament in some godforsaken public park at some city fringe zoned for sprawl--you were supposed to lie prone in the deepest depression you could locate.
Since the only real depressions around most tournament sites were the irrigation and runoff ditches that bordered cultivated fields, ditches icky with conferva and mosquito spray and always heaving with what looked like conventions of copperheads and just basically places your thinking man doesn't lie prone in under any circumstance, in practice at Warned tournament you zipped your rackets into their covers and ran to find your loved ones or even your liked ones and just all milled around trying to look like you weren't about to lose sphincter-control.
Wallace argues that television relies heavily on an irony that forces viewers to watch continuously so they can always be in on the joke instead of the butt of it. It is nearly impossible to attack this irony because it can simply insult the attacker. Wallace thinks that the only way to unseat this irony is for artists to be willing to risk authentic feelings. In the third essay, Wallace is commissioned to attend the Illinois State Fair and write about the experience.
Wallace argues that people in rural areas like Illinois take vacations to be with other people while people in cities vacation to get away from people. Thus the fair is about the state as a kind of large community.
However, Wallace discovers that the fair itself is divided into different sorts of communities such as the as the agriculture professionals and people who come for the carnival rides. Wallace further argues that ultimately the fair is all about food at some level or another, which is fitting for Illinois as its economy is based around agriculture. In the fourth essay, Wallace discusses the literary criticism of H. Hix, who tries to save the notion of the author from poststructuralist critics.
The fifth essay previews David Lynch's new film "Lost Highway" and contextualizes it with Lynch's other work. In my opinion, he's one of the most fascinating writers and thinkers that has ever lived, and he possessed an almost supernatural ability to articulate the human experience.
Listen, you don't have to be a pretentious white dude to fall for DFW. I know that stigma is out there, but it's just not true.
David Foster Wallace's writing will appeal to anyone who likes to think deeply about the human experience. He really likes to dig into the meat of a moment — from describing state fair roller coaster rides to examining the mind of a detoxing addict. His explorations of the human consciousness are incredibly astute, and I've always felt as thought DFW was actually mapping out my own consciousness.
Contrary to what some may think, the way to become a DFW fan is not to immediately read Infinite Jest. I love Infinite Jest. It's one of my favorite books of all-time. But it is also over 1, pages long and extremely difficult to read.
It took me seven months to read it for the first time. That's a lot to ask of yourself as a reader. My recommendation is to start with David Foster Wallace's essays. They are pure gold.If there was an actual Warning when you were outside and away from home--say at a tennis tournament in some godforsaken public park at some city fringe zoned for sprawl--you were supposed to lie prone in the deepest depression you could locate.
Oversweating seems an ambivalent blessing, and it didn't exactly do wonders for my social life in high school, but it meant I could play for hours on a Turkish-bath July day and not flag a bit so long as I drank water and ate salty stuff between matches.
I know that stigma is out there, but it's just not true. Basically everything I love comes together in this piece as Wallace dives into a deep exploration of how humans find ways to look at each other.
This section contains words approx. Staley processing concern and so awash in the stink of roasting corn that kids would play with bandannas tied over their mouths and noses; like the Western Closed Qualifier on the ISU campus in Normal; like the McDonald's Junior Open in the serious corn town of Galesburg, way out west by the River; like the Prairie State Open in Pekin, insurance hub and home of Caterpillar Tractor; like the Midwest Junior Clay Courts at a chichi private club in Peoria's pale version of Scarsdale.
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